Sounds of Music

Songbook: Iowa

I’m not sure I understand every single word of this song – though most of it is straightforward enough – but it speaks to me on this sub-intellectual level which makes me uncomfortable with poetry.

“Iowa” by Dar Williams

Album: Mortal City

Year: 1996

Category: Recent acquisitions

Why it rocks:
It creates its own gentle, hypnotic space that lulls me into wonderment, and teaches me about some emotions I’ve never really wanted to experience too much.

Favorite bit of lyrics:
“Her husband had just left her, / She sat down on the chair he left behind, she said, / ‘What is love, where did it get me? / Whoever thought of love is no friend of mine'” for this moment of slice-of-life observation.
And for different reasons: “But way back where I come from, / We never mean to bother, / We don’t like to make our passions other people’s concern.”

Favorite moment:
The ending of the last verse.

Best for: The kind of love affairs that end up in broken hearts.

Listen here.

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Show Case

Wildly Enthusiastic Review: True Blood (S1)

I told you once about my relationship to True Blood and how it bordered on dysfunctional. Well, once I pushed through all the seven seasons I almost forgot how much I loved season one and doubted if I could ever re-live the joy of watching it. Nevertheless, here I am, having just – gleefully! ecstatically! – re-watched the entire season in a few days.

er-trueblood-1True Blood (season 1)

Category: TV shows

Find it on: Amazon

What it is:
Southern gothic as southern and as gothic as they come. Based on a series of Charlaine Harris novels, this drama produced by Alan Ball takes place in a small Louisiana town two years after vampires’ existence has become public knowledge. The resident psychic waitress, Sookie Stackhouse, is dating a southern gentleman-type vampire Bill but someone has taken to murdering women who associate with vampires.

How I found it:
Originally I read in a paper about a new show with vampires. It shows you how long ago it was: True Blood was new and I read newspapers. I loved it at first sight. This re-watch, however, was prompted by a dream I recently had: I was running through tunnels under Paris with Bill (who wasn’t a vampire) and we were escaping a gang of bank robbers. I don’t control those things. Anyway, when I woke up I decided I really missed True Blood.

A special badge for marking the things that continue to delight me.Summary judgment:
It was and still is one of my favorite things ever produced for TV and apparently nothing can change that.

Best things about it:
From the first episode I was hooked like a V addict. I kept sitting up at night to watch an episode to the end (I did the same thing the first time I watched but this time I knew who the murderer was). This show knows exactly what it wants to say and how: it’s got such a precise tone and writing. Details matter. Everything looks just right: from the lush green outdoors to the peeling paint on doors. And don’t get me started on the accents: I think this is where my whole thing for southern accent started.

Worst things about it:
I guess towards the end some threads loosen up in the effort to introduce season two smoothly. I didn’t mind the first time but now I know how much of a problem this will become for the show and I didn’t love Sam’s backstory or the whole Mary Ann business.

Other pluses:
✤ I spent the seven years that True Blood first ran hating Bill. I would go on rants about how he didn’t work as a romantic interest. So fixated was I on my idea of what Bill should be that I didn’t pay attention to anything the show (and Stephen Moyer) was doing well with him: and he really is an interesting character. In fact, I spent the first few episodes crushing on him a bit, but that might’ve been the dream.
✤ I always liked Sookie, for her sass and inner sense of justice, and this has not faded. Anna Paquin was born to play her.
✤ Lizzie Kaplan is so pretty. I always wished she could stay on the show longer.
✤ Lafayette is perfection. Nelsan Ellis combines strength, vulnerability and independence so beautifully.
✤ The show will lose footing with Tara in later seasons but her introduction as an angry infatuated intellectual was such an interesting direction. I wish they hadn’t given up on it.
✤ When you know the solution to the mystery, it’s a different watching experience but I could appreciate how the show adds red herrings like it’s a Creole seafood stew.

er-trueblood-extra-dogOther minuses:
Sam doesn’t work for me: he never did throughout all the seven seasons but this time I realized I didn’t like him from the start. He’s just too whiny.

How it enriched my life:
It’s one of the things that makes me so happy and apparently will make me happy when I re-watch it again. Hereby, it receives an All-Time Favorite badge in recognition.

Fun fact:
Back when I first watched the show and was proselytizing it to everyone and their dog, I recommended it to a guy I was studying with and who was very much a movie buff and he came back complaining about camera angles and scripting and what not. I still hold it against him. (And it’s beautifully filmed, actually, especially the light – or its lack.)

Follow-up:
I will go as far as season two (three, if I’m feeling desperate) for this re-watch but I will surely get back to this one some time.

Recommended for:
Anyone who hasn’t seen the show yet (and is not a movie snob). Those who saw the show and its later seasons and forgot how good the first one was.

Enjoyment:
★ ★ ★ ★ ★

 

Next time: The other season of Stranger Things

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Sounds of Music

Songbook: Scandalize My Name

If you know Ida Maria at all, that’s probably from her funny, irreverent I-guess-a-hit “I Like You So Much Better When You’re Naked,” which I listened to quite a lot. When I recently checked her profile on Spotify, I discovered her newest album, which, surprisingly, is a collection of American spirituals and it’s quite hard to get further from the “Naked” song than this.

“Scandalize My Name” by Ida Maria

Album: Scandalize My Name

Year: 2016

Category: Recent acquisitions

Why it rocks:
It’s a simple yet pure song and the raw arrangement brings the purity out. It’s not so much a religious song as a social commentary and Ida Maria’s rendition retains some of the resentment this song carries.

Favorite lyrics:
I don’t think any part stands out to me. It’s more about the music and her voice.

Favorite moment:
The way her voice gets stronger on “Now, do you call that religion?”

Best for: Late Sunday afternoon.

Sidenote: For a more typical rendition of the song be sure to check Paul Robeson’s version, which is also very good.

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Sounds of Music

Songbook: Man of Constant Sorrow

Let’s get serious guys: we will be talking lots of Bob Dylan here. Lots. Here’s one less conventional song for a good start.

“Man of Constant Sorrow” by Bob Dylan

Album: No Direction Home: Bootleg Vol. 7

Year: 1962

Category: Best of Dylan

Why it rocks:
Dylan’s bests are rarely covers but this one he completely makes his own (up to and including serious lyrics changes). It’s such a young Dylan, when he was flaunting the bad boy persona like nobody’s business and it’s fun to see him shifting the focus of this story into a more juvenile place where it’s all about a mysterious heartbreak. Also, I’ve always liked Dylan’s early harmonica (I mean since I taught myself to like it but it was so long ago it’s like in a different lifetime).

Favorite lyrics:
“I’ll say goodbye to Colorado / Where I was born and partly raised.” The “partly” is such a fun Dylan-like little shift. And people say he didn’t deserve the Nobel Prize. Heh. Basically, the best part of this lyrics is all the differences he makes to the classic version.

Favorite moment:
The last verse. But also, points for the long notes.

Best for: Arguments with people who think that version from that movie is better.

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