I’m not a great expert on anime – I haven’t even seen a whole lot of classics – but I always enjoy a Miyazaki and often other things too. And the latest thing from this category I had a pleasure to encounter, I enjoyed a lot. (Also, some spoilers, as usual.)
Find it on: IMDb
What it is:
A 2016 Japanese animation that was apparently the highest grossing Japanese movie ever, or movie in Japan some time or anime – at least one of those. It made a ton of money, and with a good reason because it’s a beauty. It tells a story of two high school students, one from Tokyo, one from a tiny town, who start switching bodies and living one another’s lives. They also develop feelings for one another in the process and while this would be enough to make a movie, there’s a whole other twist to the story, which raises the stakes halfway through the movie.
How I found it:
Maybe IMDb recommended it but mostly it was R’s choice for a movie night.
I loved this movie. It looks so pretty and it makes you feel feelings.
Best things about it:
Its best part is the combination of lovely animation – particularly the detailed, painterly backgrounds – and the actually good, exciting story.
I cared for the main characters and when the time gap twist happens in the middle, it’s quite exciting and makes you root for the characters to succeed.
Worst things about it:
This is not at all the movie’s fault but I suppose it took away from my personal enjoyment a little bit: I feel like I might have missed some parts of the story due to my very subpar knowledge of the Japanese tradition and mythology. Again, it’s completely on me, of course. I did get the red string though.
✤ What sounds like a silly enough premise manages to become something emotional.
✤ The creators know what they’re doing. Sometimes the chopped chronology makes you think: This makes no sense, but in the end it turns out to make sense once you have more data. Impressive.
✤ I liked some background characters, particularly Mitsuha’s friend.
✤ The contrast between metropolitan and rural territories works great, without overly idealizing one over the other.
✤ The fantastical element is very subtle, it doesn’t hijack the story into a different genre, and so it becomes pretty much mythical rather than just gimmicky.
✤ Maybe the “your name is” yelling happened one or two times too many. That’s me nitpicking though, not a great habit.
✤ I can see how some of the jokes might be a bit uncomfortable, particularly the one with breasts.
✤ I didn’t love the music but it barely matters.
How it enriched my life:
It surprised me how much I liked it. It also gave me a blurry idea of some Japanese customs I knew nothing about so that now I know very little about them.
The way I know about the red string of fate is because I used to read soooo many online comics and there was one that included this. (I didn’t read a lot of that one, though.)
I will return to it for sure and I’ll also check Makoto Shinkai’s other movies.
People who like anime and even those who are only lukewarm about it. Anybody who likes Japanese storytelling, particularly one involving many illustrations of trains and train tracks. Even fans of romantic comedies who don’t require them to be live action.
★ ★ ★ ★ ☆
Next time: The Marvelous Mrs. Maisel