Mildly Enthusiastic Review: Hide Me Among the Graves

Sometimes my book finds are so random that for a while I don’t even know what I’m reading.

er-hidemeamongthegravesHide Me Among the Graves by Tim Powers

Category: Books

Find it on: LibraryThing

What it is:
A vampiric gothic story taking place in Victorian London. Vampires (known as Nephilim here) are prehistoric creatures trying to demolish London with the help of the Rossetti siblings, of all people, and some lesser known poets. This is also a second part in a series, which I didn’t know until later (but it didn’t seem to matter a lot).

How I found it:
Actually, I had it on my to-read list but forgot what kind of book it was and got it mixed up with something more serious. So while reading the prologue I was all set to reading Serious Literature (and actually the writing didn’t set me straight for a while, so good for Powers, I guess) and it was only later that I realized “Wait a minute, it’s vampires in Victorian London, not Big Issues.”

Summary judgment:
For the genre it’s impressively ambitious, if not exactly exciting to read.

Best things about it:
It paints the period quite well and focuses on building the gothic atmosphere, rather than on simple horrorific scares or fantasy adventures. The characters are written carefully, with a lot of attention given to their motivations and dilemmas and the vampires do not turn out to be your usual dark, broody gentlemen.

Worst things about it:
For all its pluses, it remains a bit heavy with all the attention paid to descriptions. It takes quite a lot of reader’s concentration but doesn’t necessarily pay off with such an intricate story that would explain the plethora of details.

Other pluses:
✤ The (literal) underworld of London is memorable and carefully imagined.
✤ If you’re like me, you might enjoy the facts taken from actual history, like the exhumation of Rossetti’s wife and how it becomes a part of the plot.

Other minuses:
✤ At times it becomes repetitive, adding to the great length of the book. Of course, the length is relative to its contents: I read longer books without feeling their wordiness but here I had the sense that the novel would gain much from shortening.
✤ It kept me wondering about the morality of using real people (even if long dead) for this kind of story. Neither Rossetti nor Swinburne are drawn in a very flattering way and while they had their faults, consorting with vampires probably didn’t count among them.

How it enriched my life:
Despite its slowness I enjoyed the book well enough.

Fun fact:
There was a time when I loved Rossetti’s paintings (and I still find them very pleasing) from the moment when I saw a picture in my high school literature book.

I might give Powers another chance because while this book didn’t necessarily charm me (despite all the ingredients for something to delight me specifically), I appreciate his strengths as a writer, particularly the vividness of his imagination.

Recommended for:
People who enjoy their fantasy slow and historical, with romances and shootouts replaced with character studies and literary references.

★ ★ ★ ☆ ☆

Next time: The Tick (Also, if you’re confused about the current scheduling – are you though? – for now we’re down to a weekly review, with Saturday posts on hiatus.)

Sounds of Music

Songbook: Seven Curses

Back to Dylan Time! Which should be all the time, basically.

“Seven Curses” by Bob Dylan

Album: The Bootleg Series Vol. 1

Year: 1963

Category: Best of Dylan

Why it rocks:
It’s such a simple song, a true illustration of Dylan’s folk roots (I’d argue it’s truer than his protest songs even): with no ornamentation and a very simple, very stark story it raises Dylan’s vision of the Wild West to a mythical realm. And my personal favorite thing about Dylan’s songwriting is how he can tell a story: an actual story with characters, a plot and a resolution. Also, thank heavens they published it on the Bootleg Series because it’s such a loss it was never released on an album.

Favorite lyrics:
I like the simplicity as in a real folk ballad and the vengeful numbers game at the end. I’m not sure if I have a favorite line though, it’s such a consistent text.

Favorite moment:
I like the moment when the narrative changes once the judge has lied.

Best for: It’s a decent sing-along and it could make a decent movie.

Listen here.

Sounds of Music

Songbook: To Ramona

It’s Dylan Time. I promised you we’ll be revisiting him regularly and here we go again, also continuing the unnecessarily personal Songbook posts. This is one of my favorites, not a funny little thing to admire the dry humor of his observations but one of those songs that are there for you when you need them.

“To Ramona” by Bob Dylan

Album: Another Side of Bob Dylan

Year: 1964

Category: Best of Dylan

Why it rocks:
Maybe it’s the triple meter but this song rocks me like a lullaby in its simplicity and numbs existential anxiety (while also making me a little sad). This is not the most profound of Dylan’s songs but maybe the (relative) directness makes so many lines come to me so often and it has a certain spirituality to it. His voice has that intimate quality I love.

Favorite lyrics:
“And there’s no use in tryin’ / To deal with the dyin’ / Though I cannot explain that in lines” I find the strongest, of course, but it’s “Everything passes / Everything changes / Just do what you think you should do” that I usually remember.

Favorite moment:
I love the swaying rhythm introduced in the first line.

Best for: This time more seriously, this song helped me a few times in moments of pain so I say it’s best for when you need a bit of existential wisdom.

Sidenote: If R didn’t hate the name and if had a daughter, I think I’d call her Ramona because of this song.