Rotten Tomatoes

Mildly Enthusiastic Review: The Lizzie Bennet Diaries

I talked a while ago about my soft spot for vlog adaptations of classic literature and I figured it was time to return to the one that started it all:

er-thelizziebennetdiariesThe Lizzie Bennet Diaries by Pemberton Digital

Category: Web series

Find it on: YouTube

What it is:
An adaptation of Jane Austen’s Pride and Prejudice in the form of vlogs recorded by Lizzie Bennet. Her sisters, particularly Lydia, and some other characters also star. Lizzie is a communications student who works on her diploma, Jane is a fashion designer and Lydia is… Lydia, of course. Bing Lee and William Darcy arrive and shenanigans ensue, all more or less as Ms. Austen had planned.

How I found it:
Do you know that I don’t even remember? When I came upon it for the first time, the series wasn’t even finished yet though it was already in its last, less interesting, stage. I remember watching it (like, regularly watching rather than just having it play in the background; good times) around Christmas and devouring it very fast.

Summary judgment:
It’s surprisingly good. It keeps the spirit of the story fresh while – mostly – successfully adapting it to new realities.

Best things about it:
It’s really well-acted. Lizzie and Lydia are pretty amazing: not only do they know how to act (which is less frequent in these things than you’d expect), they also interpret Bennet sisters for the modern age. It has drama, emotions and humor, all the while remaining faithful to the original.

Worst things about it:
Weeeell, okay, this is not my Darcy. And I’m saying this in the nicest possible way because the actor seems like a fun guy and this character is almost impossible to pull off (defnitely up there with Gatsby) and also costuming doesn’t do him any favors… but no, that’s not a believable Darcy.

Other pluses:
It’s quite entertaining and while it doesn’t exactly keep you surprised (the story is preeeeetty well-known) it certainly keeps you interested.
The actors have some fun with playing their characters pretending to be other characters (it makes sense if you watch it) and I’m a sucker for this (let’s talk Orphan Black when I catch up).
The romances mostly hold up but the aspect of sisterly relations is particularly well developed, perhaps more so than in the novel itself.

Other minuses:
Eh, this costume theater thing is a bit too cutesy for me. I get what it does and it gives the actors the chance to have fun (and the producers to save some money) but it becomes too celebrated within the narrative itself and then it irritates me even more.

How it enriched my life:
It opened my life to the rich world of vlog adaptations of literature, but we already talked about it, I think.

Fun fact:
I was once listening to a podcast about various adaptations of Pride and Prejudice and the author claimed The Lizzie Bennet Diaries to be the best adaptation out there. Well, it doesn’t beat the 1995 BBC one, in my opinion, but it really is pretty good.

I’m sure more vlogs await though I don’t currently have a specific list.

Recommended for:
Jane Austen fans. People who like a good story with relatively low production values and don’t take their entertainment too seriously – and conventionally.

★ ★ ★ ★ ☆

Next time: Old Friends and New Fancies (yes, still Austen)


Teenagers, Murders and Secret Societies: Special Topics in Calamity Physics

er-specialtopicsEven though I don’t specifically search for stories about high school girls, I find them in the strangest places, my latest one the once-controversial Special Topics in Calamity Physics by Marisha Pessl.

This début novel tells a story of 17-year-old Blue van Meer in an unapologetically postmodernist fashion, rife with literary allusions and metaphors. Blue travels the country with her father, a professor of political science, to finally settle for her senior year in a mountain town. She gets involved with a mysterious group of pretentious teenagers led by an even more mysterious, and probably insane, teacher. It’s then that life-changing events unravel (they include hanging; and it’s not a spoiler because the book tells you on the first page).

Like a precocious teen, the book can’t decide between its two preoccupations: does it want to be extravagantly fun (as a whodunnit) or seriously ponder life questions. Sometimes it manages to merge these two, but generally it’s better at the page-turning aspect because once the revelations start coming, you can’t put the book down – even though you rightly suspect in the end you’ll be treated to an open ending.

The open ending is interestingly solved, though. The whole novel is structured like a syllabus, each chapter titled with a famous book’s title. Sometimes this casts an important light on the events, sometimes it seems more like playing with the phrase from the title itself (“Things Fall Apart,” “The Trial”). At first I welcomed the game of allusions but after a while you realize that the very amount of books referenced requires a determination of a Bible scholar and you focus less, especially as the events speed up. At any rate, the syllabus ends with a “Final Exam” where all the possible answers to the story are gathered as multiple answers to test questions. This is an interesting and quite effective way to sum up the unanswered mysteries and at least give the reader a selection from which to pick out their favorite ending.

Just like literary allusions multiply beyond reason, metaphors crowd one another. Most of them are surprising and fresh, sometimes also awkward and confusing. I didn’t mind but I only occasionally interpreted them, again overwhelmed by their amount. But not a single one stood out to me as much as this one used by this reviewer: “she seems to think that if you fling enough metaphors at your readers’ heads, their ducking can be interpreted as bows of reverence.” Pessl doesn’t usually reach this level of accuracy in her metaphoric choices.

While the elaborate story leaves us wanting for final answers, another motif gets precedence: how growing up means emancipating from your parents. Blue’s father, professor van Meer, is definitely the most interesting character in the novel that you can’t decide whether to love or to hate. He’s charming, self-assured and intelligent, treats his women like doormats, thinks himself a wonder and refuses to apologize for anything. Obviously for Blue he’s the center of the world. The mysterious teacher, Hannah Schneider, serves as a mother figure and will also turn out a disappointment. In two poignant scenes, Pessl presents them in a similar way, their faces lit orange and monster-like. This emancipation from parents is a fairy-tale motif, very Bruno-Bettelheimian. In the end, in the world devoid of competent adults, Blue will learn to stand on her own and even, despite endless bad examples, form a romantic relationship. This is the true closed ending of the novel and I actually liked it.